外星恶客
影片信息
- 状态：HD中字
- 主演：Marshall/Thompson/Shirley/Patterson/Kim/Spalding/
- 导演：Edward/L./Cahn/
- 年份：1958
- 地区：美国
- 类型：恐怖/
- 时长：内详
- 上映：未知
- 语言：英语
- 更新：2024-09-16 07:01
- 简介：Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerccc! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
- 92
关注公众号观影不迷路
扫一扫用手机访问
网友评分
0次评分扫一扫用手机访问
剧情简介
Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerccc! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
为你推荐
换一换- 正片佐武宇绮/三木真一郎/伊濑茉莉也/古川登志夫/松山鹰志/土井美加/Katsutoshi Matsuzaki/羽多野涉/Wataru/Hatano/羽多野涉/橘龙丸/
- 豆瓣高分正片あなたへ/
- 正片贾斯汀·朗/艾丽·拉特/瑞恩·纽曼/卡尔利·布赖恩特/内森·科宁/
- 第2024101期未知
- 正片杉咲花/
- 正片亨丽埃特·肯夫里乌斯/萨宾·塔布瑞亚/
- 抢先版华金·菲尼克斯/Lady/Gaga/布莱丹·格里森/凯瑟琳·基纳/莎姬·贝兹/史蒂夫·库根/梁振邦/雅库布·洛弗兰德/比尔·斯米托洛维奇/盖特林·格里菲斯/哈利·劳蒂/提姆·狄龙/乔治·卡罗尔/莎珑·华盛顿/麦克·休斯顿/雷·吉尔/特洛伊·梅特卡夫/G·L·麦奎里/布莱恩·多纳休/吉米·斯玛古拉/
- 正片更新至04集探索新境/
- 更新HD赵毅/陈露茜/孙艺燃/苑湘瑾/白庆琳/杨殊予/
- 正片Claudia/Eisinger/尼可拉斯·瑞肯/
- 正片富大龙/沈丹萍/江韵辉/牛萌萌/董扬/
- 正片母其弥雅/迟嘉/
- 抢先版王俊凯/苗苗/郑恺/任敏/辛柏青/李晨/张钧甯/杨皓宇/余皑磊/李梦/李俊墨/董劭辉/齐凯/飞尔多斯/张云鹏/包宇/郭士柏/王枭橦/郭岱鑫/冯柏开/张钊/闫新宇/张梓豪/孙毅/金世佳/李光洁/周一围/曹卫宇/李勤勤/刘陆/刘坤/刘力扬/
- 抢先版朱一龙/辛柏青/张子枫/朱亚文/陈飞宇/王砚辉/肖央/吴京/张宥浩/欧豪/韩东君/郭晓东/李卓阳/任重/李乃文/聂远/唐曾/王挺/赫子铭/王阳/贾冰/
- 正片克里斯·福克斯/Jon/Sklaroff/Elizabeth/Phoenix/Caro/
- 正片托克斯·奥拉贡多耶/卡丹·哈迪森/瑞贝卡·克雷斯科夫/
- HD廖亮/杨海超/
- 更新01期
- HD中字金海淑/孙浩俊/
- 抢先版让·雷诺/艾德里安娜·巴拉扎/亚历克西娅·莫亚诺/尼古拉斯·弗兰斯拉/罗西奥·埃尔南德斯/胡安·何塞·加尼卡/杜达·加尔旺/拉威尔·卡布拉尔/罗伯托·博伦斯坦/艾伦·C·坎普/佩德罗·卡埃塔诺/塔尔马·代·弗雷塔斯/费尔南多·卢弗/阿曼达·马迦良埃斯/拉斐拉·皮门塔/胡安·奎罗斯/威尔逊·拉贝洛/何塞·特拉西/佩德罗·乌里齐/
- 正片埃利·斯科切娃/Gerasim/Georgiev/Rozalia/Abgarian/斯特凡·德诺利博夫/伊万·博尔内夫/伊瓦洛·克里斯托夫/
- 更新HD玛伦娜·阿特里奥/亚历山德拉·希门内斯/费雷·马丁内兹/Antonio/Pagudo/Eva/Ugarte/胡安·卡洛斯·凡希多/Belén/Gil/Carlos/Ros/Iñigo/Peronié/
- 正片Taylor/Abigail/Rice/Sean/Ramey/Carson/Polish/
- 正片乔琳·安德森/菲利普·安德瑞·波铁洛/比克斯·克雷格/
- 正片罗宾·怀特/威廉·赫特/西恩·潘/
- 正片戴夫·巴蒂斯塔/索菲亚·波多拉/庞·克莱门捷夫/本·金斯利/斯科特·阿金斯/泰瑞·克鲁斯/丹尼尔·伯哈特/马克·扎罗/安东尼娅·德斯普拉特/谢娜·韦斯特/露西·科克/罗非洛·迪格托勒/乔治·索纳/斯科特·亚历山大·杨/德鲁·盖洛韦/József/Kovalik/Jr./Mia/Rouba/M.Kiss/李勋/Péter/Sokorai/Odett/Elza/Négyesi/
- 正片艾琳·阿苏埃拉/毛里西奥·奥赫曼/莱昂纳多·奥提兹格里斯/吉良·埃斯卡雷加/
- 更新HD米莱娜·斯米特/霍威克·库区科利安/娜塔丽·特纳/奥斯卡·贾恩那达/巴斯蒂安·乌盖托/Tadashi/Ito/
- 更新HD布莱特妮·奥格拉迪/詹姆斯·莫罗西尼/阿莉西娅·戴柏南·凯里/德文·特雷尔/嘉文·莱特伍德/蕾娜·哈迪斯蒂/妮娜·布隆加登/大卫·汤普森/麦蒂森·达文波特/Myhraliza/Aala/Tyrone/J./Criss/A./Brian/Daniels/Francisco/Diego/Garcia/Tommy/Hestmark/Timothy/Krabill/Jesaar/Landavaso/海莉·基娜·劳腾巴赫/达娜·米利肯/John/Michael/Murphey/阿里·诺德利/
- 正片琪洽·安玛达雅混/乔·卡明斯/雨果·丘拉恰克·查克拉邦斯/